Are you a fan of traditional guitar design? If so, you should not miss the Vintage Pure SM! This guitar is crafted from high-quality Sitka spruce and African mahogany. Together with Furch’s innovative production technologies, these tonewoods give it a perfectly balanced sound with sparkling highs and warm bass. In addition to a number of natural appointments, the traditional vintage appearance of the instrument is further enhanced by Furch’s Open-Pore Finish, which leaves the deep pores of the tonewood open. The Vintage Pure SM is available as dreadnought, dreadnought with cutaway, orchestra model, orchestra model with cutaway and OOM body shape.
The premium nature of the Vintage Pure SM is underscored by the fact that the soundboard is individually tuned using the voicing process, which enhances the instrument’s tonal properties to the highest level. Thanks to that, the Vintage Pure SM has a crystalline clear, harmonically rich, balanced, and highly dynamic sound across the entire tonal spectrum.
The instrument features Open-Pore Finish, a special thin finish that promotes the natural sonic qualities of tonewoods and provides an excellent level of surface protection.
A high precision, dual-action truss rod maintains neck stability and allows for fine adjustment of the neck relief, bilaterally. The truss rod is housed in a highly rigid carbon casing which enables a very smooth and controlled neck relief, ensuring the best playability and enduring optimal setup.
The traditional look of the Vintage Pure SM is underscored by double ring rosette with black walnut inlay and body binding made of faux tortoise.
The Vintage Pure SM has an excellent tuning stability courtesy of Gotoh SE700 Nickel Patina machine heads with a 1:15 gear ratio.
The fretboard features white pearl side position markers and fingerboard inlays that improve fingerboard orientation and enhance the guitar’s exclusive appearance.
Maximum protection during transport is provided by a high-rigidity Hiscox case with polyurethane insulating foam that shields the instrument from changes in external climatic conditions.
Body
Available body shapes D, Dc, OM, OMc, OOM
Neck-to-body joint 14th fret (OOM: 12th fret)
Solid top – grade Sitka spruce - AA
Solid back and sides – grade African mahogany - AA
Binding Artificial tortoise
Rosette Double ring with walnut inlay
Bridge Ebony
Bridge pins Ebony
Saddle TUSQ fully compensated
String spacing at the bridge 55 mm
Top finish Open-Pore Finish
Back & sides finish Open-Pore Finish
Pickguard Artificial tortoise
Neck
Nut width 45 mm
Available nut width 43 mm and 48 mm
Neck reinforcement CNR System with two-way adjustment
Neck profile Furch soft V
Scale length 650 mm
Fingerboard material Ebony
Fingerboard radius 400 mm
Fingerboard front inlay White position dots
Fingerboard side inlay White position dots
Fret finish Brushed frets
Headstock overlay Ebony
Neck material African Mahogany
Machine heads Gotoh SE700 Nickel patina - gear ratio 1:15
Zero fret TUSQ
String spacing at the nut (45 mm) 38 mm
String spacing at the nut (43 mm) 36.6 mm
String spacing at the nut (48 mm) 40.1 mm
Strings D'Addario XSAPB1253
Neck finish Open-Pore Finish
Headstock finish Open-Pore Finish
Comes in Hiscox hard shell case